{"ModuleCode":"EN5252","ModuleTitle":"Movies, Spectatorship And Subjectivity","Department":"English Language & Literature","ModuleDescription":"This course involves a critical interrogation of key theoretical approaches addressing the study of film spectatorship and the ways in which subjectivity is constructed. This module adopts a specialised emphasis on that tradition of film theory associated with a psychoanalytical-textual-apparatus model and offers graduate students an opportunity to engage in in-depth explorations of the key problems and issues associated with this branch of film theory. In examining the highly complex interaction between spectator and text, students will also gain a greater understanding of the ways in which issues such as gender, identity, and ideology intersect with the cinematic/visual text.","ModuleCredit":"4","Workload":"0-3-0-0-7","Prerequisite":"Must be registered as a Graduate Student in the University or with the approval of the Department","AcadYear":"2015/2016","History":[{"Semester":1,"Timetable":[{"ClassNo":"1","LessonType":"Seminar-Style Module Class","WeekText":"Every Week","DayText":"Wednesday","StartTime":"1800","EndTime":"2100","Venue":"AS5-0205"}],"LecturePeriods":["Wednesday Evening"]}]}